Additional Material

Archive for the ‘Atelier 17’ Category

Letterio Calapai’s 1946 Underground

July 24th, 2014
Letterio Calapai Underground, 1946

Letterio Calapai Underground, 1946

Underground by Letterio Calapai (1902-1993) is a dynamic work that shows a keen awareness in the methods of Stanley William Hayter’s Atelier 17, incorporating a combination of engraving, soft ground and aquatint techniques.  Calapai’s vivid reaction to the crush of people commuting on the subway at 42nd Street is well matched to the rich surfaces and charged engraved lines.  The subject brings to mind the social realist works of the WPA prints of the 1930s which Calapai knew first hand from his work in the New York print shop.  It is also interesting to consider this work in the context of Benton Spruance’s 1937 series of lithographs, The People Work.  Views to multiple levels of trains and spaces bring to mind the imagined 18th Century interior Prison etchings of Giovanni Battista Piranesi.  In Calapai’s hands the space is flattened out, and a sense of folded space is created by forced angles.  We are above and below the action, seeing it all simultaneously.

 

Werner Drewes: Atelier 17 +

July 30th, 2013

Werner Drewes (1899-1995) studied with Paul Klee, Johannes Itten and Lionel Feininger after enrolling at the Bauhaus in Weimar in 1921. After a wedding trip he returned to complete his training with László Moholy-Nagy and Wassily Kandinsky at the Bauhaus in Dessau in 1929.  He emigrated to the United States in 1930 and began teaching printmaking at the Booklyn Museum under the auspices of the WPA. He was a founder of the American Abstract Artists and lectured at Stanley William Hayter‘s Atelier 17 in New York before moving on to a teaching career at Washington University in St. Louis. In the 1940s Drewes befriended Hans Moller, a fellow German ex-patriot and respected artist. We include Moller’s portrait of Drewes here.

A retrospective devoted to Drewes’s prints was mounted by the Smithsonian’s National Museum of American Art in 1984. His work is included in the collections of the Museum of Modern Art, the Brooklyn Museum, Metropolitan Museum of Art, Guggenheim Museum, New York; National Gallery of Art, the Philips Collection, the Library of Congress, and National Museum of American Artists, Smithsonian, Washington, DC; Boston Museum of Fine Arts; and Art Institute of Chicago. We have a strong selection of works by Drewes and Moller.
Please let us know if you wish to have images sent, or would like to meet to see them first hand.

Annunciation 1945, engraving

Annunciation 1945, engraving

Le Coq Jaloux, 1942

Le Coq Jaloux, 1942, color woodcut

Hans Moller's 1948 portrait of Werner Drewes

Hans Moller’s 1948 portrait of Werner Drewes

Collections

November 16th, 2012

Additional Contemporary and Modern artists as well as our collections of African American, Atelier 17, and WPA artists will be featured on this page.