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Posts Tagged ‘Contemporary Art’

New etchings by John Walker

October 24th, 2017

We are pleased to present a new prints project by the distinguished Contemporary painter, John Walker (born 1939, Birmingham, England) .  They are titled Fenway I, II, III, IV and the group was produced while Walker was a visiting artist at the Massachusetts College of Art and Design.

Born in Birmingham, England, John Walker was awarded the Harkness and Guggenheim Fellowships. He was awarded artist-in-residence at Oxford University and Monash University, Australia. In 1972 he represented England at the Venice Biennale. He has taught at the Royal College of London, Yale University, and Boston University, and his work is included in the permanent collections of the Metropolitan Museum of Art, Guggenheim Museum, Whitney Museum, MOMA, MFA Boston, Cleveland Museum, Tate Gallery, British Museum

Fenway II is a sugar lift aquatint with hand coloring.   The rough-hewn patterns and soft-edged colors are draw upon memory and observation of the New England landscape and seascape.  These robust works are the latest in Walker’s long and distinguished career.

John Walker, Fenway II 2017 sugarlift etching with hand coloring, image/sheet  30 x 22"

John Walker, Fenway II 2017

 

 

A new lithograph and drawings by Victoria Burge

October 20th, 2017

Victoria Burge makes prints and drawings that use systems of mapping to generate abstracted cartographies of imagined terrains.  We are very pleased to present her newest large-scaled, six-color lithograph with lots of hand work, Vega, 2017.  We will show this extraordinary new work at the 2017 IFPDA Print Fair.  Please ask to see it along with an earlier lithograph of the night sky and 2 new and related drawings.

Victoria Burge’s prints are in the permanent collections of the Smithsonian American Art Museum, the British Museum, the Hunterian Museum and the Philadelphia Museum of Art.  She has been awarded Fellowships and grants in support of her work from the Independence Foundation, the Krasner-Pollock Foundation and will travel to Ireland in 2018 for a residency at the Ballinglen Arts Foundation.

Victoria Burge Vega 2017 six-color lithograph with hand coloring, edition 10

Victoria Burge’s Vega 2017

New etchings by Stan Whitney

January 7th, 2017

We are pleased to offer an important new group of eight etchings by Stanley Whitney (born 1946, Philadelphia, PA).  Whitney is a 2016 USA Jeanne & Michael Klein Fellow.  His 2015 exhibition at the Studio Museum in Harlem brought a new level of critical and market notice.  This brand new series of large etchings show Whitney continuing his exploration of abstract motifs—the layering and stacking of grid and gesture, line and shape.  Whitney was a Guggenheim Fellow in 1996.

Stan Whitney 8 Untitled etchings 2016, edition 18

From top left, numbers 1-8
edition 18, each image 19 1/2 x 24 3/8″ each sheet 29 1/8 x 32 1/2″

 

Anders Bergstom

October 31st, 2016

Anders Bergstrom’s  Brown Bag Test is emblematic of everyday commerce and discrimination. Each series of bags is unique.  The Metropolitan Museum of Art acquired a set, Brown Bag Test, December 21, 2014, Proof and Counterproof, and it is handsomely installed in the rotating prints gallery #690.  From their label, “The brown paper bag is both a quotidian and a designed object.  Bergstrom creates miniature replicas with details such as jagged edges, seams, and inked numbers that are imitative of a bar code but which actually corresponds to the artist’s zip code.  This work’s title references the discriminatory practice in which an individual’s complexion is judged against the color of a brown paper bag, yet Bergstrom does not privilege one bag over another, instead arranging them on a spectrum from light to dark.”

Anders has explored the everyday paper bag in it’s multiple states of use–replicating the grease-stained and the crumpled.   Anders’s printed works are included in the permanent collections at the Metropolitan Museum of Art, Yale’s Beinecke Library, Smith College Museum of Art and the New York Public Library.  The Met’s  Brown Bag Test, December 21, 2014, is on view thru early January 2017.

Brown Bag Test August 02, 2016

Brown Bag Test August 02, 2016

Brown Bag Test December 21, 2014, Proof and Counterproof installed @ the Met

Brown Bag Test December 21, 2014 installed @ the Met

A large scale, unique woodcut by Matthew Colaizzo

September 17th, 2016

We are pleased to share a dramatic new work by this Philadelphia native.  Colaizzo’s work focuses on landscapes that blur the line between natural and unnatural. It contextualizes man’s mark on the earth with a broad view of nature. It involves ideas about natural history, cosmos, human progress, mystery, and spirit.

This large (36 x 96″), work was made by using multi-block woodcuts printed by hand to create landscapes that are inspired by the coal industry’s mark in Northeastern Pennsylvania. The scarred earth and mountains of coal are evidence of “human progress,” symbolizing man’s relationship with the earth, trying to seize and conquer it for our own benefit rather than relish in its mysteries.  With A Place on Earth, Matt takes inspiration from a contemporary landworks project– a highway rebuilding site that is both immediate and seemingly far removed from a densely populated city.

 

Matthew Colaizzo, A Place on Earth, 2015, unique woodcut

A Place on Earth, 2015

New works by Donald Forsythe

February 8th, 2015

Donald kindly provided the following statement about this excellent new series of unique prints:

These recent prints are the result of experimentation carried out over the last two years with processes that have been dubbed low tech methods. The layers have been printed from found plywood, re-purposed Plexiglas plates, and wood reliefs drawn with shop tools like the Dremmel engraver, ball grinders, and the plunge router. I became particularly interested in reflective mylar collographs layered to resemble open bitten etching plates, and enjoy the painterly effects rendered from tarlatan wiping and the transparency of the printed surface.

Beyond these processes, I think of these works as a kind of cumulative interior architecture.  To me they suggest memory, travel, and the passage of time; fragility, brokenness, and the will to order things—to make meaning out of experience.

We are happy to show you the rest of the group.  Call to visit 215-732-7787 or email info@DolanMaxwell.com for images.

Interior/Exterior; Interior #1; Interior #4

Interior/Exterior; Interior #1; Interior #4

 

 

Red Music by Michael Canning

May 8th, 2014
Michael Canning, Red Music, 2014, ink, acrylic, soot, charcoal, graphite & collage, 48 x 36"

Red Music, 2014

We are very pleased to share an image of Red Music, Michael Canning’s new drawing that incorporates charcoal, soot, ink, acrylic paint, graphite & collage elements.  The scale is grand at 48 x 36″ and Michael matches the fragile and yet defiant beauty of this flowering plant with his rugged, almost brutal treatment of the paper and chosen materials.